Aaha Kalyanam Movie Review

Aaha Kalyanam Movie Review

Movie Review : Aaha Kalyanam

Rating : 2.5 / 5

Banner : Yashraj Films

Cast : Nani, Vani Kapoor, Simran and Others

Story : Maneesh Sharma

Music : Dharan Kumar

Camera : L Srinivasan

Editing : Sreekumar

Producer: Aditya Chopra

Director: Gokul Krishna

Released Date: February 21, 2014

Aaha Kalyanam Movie Review

Successful romantic comedy ‘Band Baja Barat’ was remade as ‘Aaha Kalyanam’ that has hit the screens today. Let us get into the details.

Story:

The movie is all about a partnership relation in a business between a girl and a young man. Sruthi (Vani Kapoor) is an aspiring wedding planner who joins with Chandralekha (Simran), a popular wedding planner in the city. Shakti (Nani) also joins Sruthi. But knowing the malpractices of Chandralekha, both Sruthi and Sakti walk out to start an own wedding planning company ‘Getti Melam’. They grow very big in the business but their partnership suffers and they break up. What happens next is the story.

Aaha Kalyanam Tamil Cinema Review

Presentation:

Nani is as usually confident but looked shorter beside Vani Kapoor. Nani style of dialogues with nativity  are missing as it happened to be dubbed from Tamil. Vaani Kapoor pulled the attention of audience with her confidence and body than her beauty and performance. Simran appeared in a guest role and there is nothing more to talk about her part. Others are ok. And coming to technical aspects, music was weak.  Dialogues smelled like dubbed stuff but not as bilingual. Director made the film like a poetry but failed to season it with proper humor.

Aaha Kalyanam Filem Review

Conclusion:

Though Nandini Reddy’s ‘Jabardasth’ was made as a freemake of Band Baja Baraat, now ‘Aha Kalyanam’ should be understood as official remake. No big difference other than that. This is not just a remake of Hindi film ‘Band Baja Barat’ but also a dubbed version of Tamil film. Hence the nativity is missed but the emotions are placed reasonably commendable. But that alone is not sufficient for a romantic comedy.

There is little romance and less comedy in this. Its more like a film on business partnership though lust, love and possessiveness are blended in it. There is ample space in the line to make it a humorous treat along with maintaining emotions. But that’s missing.

And the best part is it’s crisp and second drag doesn’t drag. Looking at the response of audience in theatres, it appears that it works better when it comes on TV than on bigger screen.